How do you ensure that the form of your annual report matches the message? A tough challenge because, as we all know; how you say something is at least as important as what you say. Photography and imagery are among the most important tools a communications specialist has at her disposal. How do you ensure they convey the right feeling in the annual report?
Of course, we have a whole range of practical ideas and tips in this area (we deal with this daily), but in this article, we do it differently. We look at three appealing brands and how they use imagery in their annual reports. I will tell you what works well but also what could be improved.
We discuss the following examples:
After the three examples, I share a summary list of don’ts.

Heineken Netherlands wants to be a challenging, innovative, proud, and distinctive leader in the Dutch food sector. They are the product leader in the Dutch beer and cider market and an independent global brewer. Their marketing strategy is product leadership: excelling in product quality, innovation, and brand marketing. They apply the following core values: Fun, Passion for quality, Respect for people and the environment. Heineken naturally has various sub-brands, but the main brand is Heineken pilsner, which stands for adventure and experience: where do you drink it?
The annual report of Heineken is available both as a downloadable PDF and for online viewing. What immediately stands out is that there are quite a few photos, but not large and always with varying photo ratios. This creates a somewhat restless overall look and your attention is not directed to a specific image, so focus is difficult. Also, some images are so small that you don’t understand what exactly they are about. Consistency is lacking.

The imagery Heineken uses in its report feels ‘haphazard’. The style and color scheme differ per photo and make the graphically neatly designed report look messy. Especially considering that Heineken makes limited use of imagery, we see this as a missed opportunity. It also surprises us quite a bit; for a globally operating player with a marketing focus, it should not be a problem to communicate (and deliver) a consistent visual language, right?
Partly because it comes across as found imagery without much focus and lack of consistency, it looks overall like a newsflash page or a cut-and-paste book with interesting articles and pictures but does not form a whole. Among the photos, there is not a single consistent style line because:
Looking at the brand promise, we see that especially respect for people and the environment is emphasized in the imagery. Also, the fact that it is a global, international player is clearly visible. This is because the images they use mainly contain green tones (also due to Heineken green, of course), show an outdoor/nature environment, and people working on the land. People of different nationalities and offices in various countries are depicted.
In the first part of the annual report, I find that the brand promise and message are not yet sufficiently utilized and expressed. Show not just part but the entire brand promise. You can place more varied images throughout the annual report that, for example:KPN’s goal is to make life freer, more fun, and easier by connecting people. They work on their safe, reliable, and future-proof networks and services so that everything and everyone is always and everywhere connected while simultaneously creating a more prosperous and cleaner world. The three most important core values are: customer, together, and simplicity. The question is: do we see that reflected in the annual report?
The annual report of KPN is an online annual report with a downloadable extensive print version. The first thing that becomes clear is that they have actually given the slogan a face, a figurehead for KPN. The lady in question, Gian van Grunsven, appears on the front of the annual report, and the online annual report starts with a 21(?!) minute documentary in which this journalist investigates and interviews her immediate surroundings.
I applaud the use of photo and video. Preferably also presented in a creative way. And this is certainly an attempt to creatively visualize the annual report. Emphasis on attempt. I appreciate the attempt, but how wrong they go with this film. KPN buys the derived integrity of a journalist with the aim of promoting the brand. Under the guise of objectivity, the brand markets its products and services; Gian’s investigation surprisingly works out excellently for the brand. It undermines the credibility of the journalist and the KPN brand.
Enzo Knol also appears in that video, a spot-on choice. He is a vlogger who fits the brand: if anyone uses mobile and internet, it is him. He also never pretends to make objective items and would therefore be a more sincere figurehead.
Other imagery in the annual report: the portraits are good quality. However, there is no line: one has a dark background, the other a light background, and the lighting is different each time. That can be possible, but do not place portraits that do not match in style on the same page. Also, the men look somewhat unnatural and forced.In my opinion, KPN missed an opportunity with this annual report.

Rabobank is a social bank. They want to make a substantial contribution to welfare and prosperity in the Netherlands and the solution to the global food issue. Their ambition is to be the most customer-oriented bank in the Netherlands and a leading food and agri-bank in the world, the local bank.
The 4 core values are respect, integrity, professionalism, and sustainability. How is this illustrated in the annual report?
The annual report of Rabobank consists of a downloadable PDF and printed version. No online report.
I find Rabobank an example of an annual report that looks good. Imagery is certainly not lacking. The annual report is clearly structured and full of photos up to the appendix.

Strong portraits in the Rabobank annual report
What is also very clear in this annual report is that the images included were actually made for this document. It supports the message in 2 ways:

The only thing that bothers me is that besides the portrayed people, there are so few images that the photos that are included all demand a lot of attention. When you see that the only full-page photo of customers is a photo of a gay couple, it feels a bit like tokenism.
From the annual reports described above, we derive the following don’ts: